Filmmaking


Since making my first film in 1997, I have created a modest output of video art of various forms, including fiction and non-fiction, live action and animated, comedy and drama, fast and slow, alone and with others.

Here you can find a smattering of my work. It's currently divided into four categories:
- Movies related to DHIS2 (mostly for April Fools)
- Movies made for the timed filmmaking competition the Four Points Film Project (formerly known as the National Film Challenge)
- Two of my student films
- And my favorite category: miscellaneous

If you scroll down, you'll see some more details about some of the films.

Enjoy!

The Credits


“What’s the 48?”
a film about the 48 Hour Film Project

concept by     We’re Making a Movie
written by     We’re Making a Movie
    and Ben Guaraldi
additional dialogue recording     Jason Jordan
color correction     Meghan Frederico
music created by     Brett Benge
produced, edited, and directed by     Ben Guaraldi


“Popcorn”
by We’re Making a Movie
(Boston, Massachusetts)


popcorn maker     Lewis Savarese
popcorn purchaser     Lori Salmeri
popcorn recipient     Lisa Cordner

production assistant     Jacob Lipcon
camera assistant     Meghan Frederico
cinematography by     Brad Kelly
directed by     Michelle Barbera


“Jogging”
by Exempt from Consideration
(Boston, Massachusetts)


jogger 1     Sharon Kubo
jogger 2     Morgan Mosher

boom operator     Stephen P. Lee
bounce operator     Wendy Parker
driver     Rebecca Uchill
cinematography by     Brad Kelly
directed by     Ben Guaraldi


“Surgery”
by Tex Whitney Productions
(Sydney, Australia)


assistant surgeon     Nicholas Kehagais
lead surgeon     Dan Balcaban
scrubs nurse     Derestia Hasan
anaesthetist     Rebecca Kennedy
patient     Alex Hasan

costumer     Rebecca Kennedy
medical consultant     Rebecca Kennedy
sound recordist     Jared Ryan
cinematography by     Tex Whitney
directed by     Tex Whitney


“In Bed”
by Afafas
(Buenos Aires, Argentina)


woman     Mara Meter
man     Rodrigo Tagle

directed by     Diego Enriquez


“Self-Promotion”
by Cultural Detritus
(Los Angeles, California)


restless actor     Matt Cary
restful actor     Jason Waron

production assistant     Jen Eldridge
audio and camera assistant     Brian Maillard
cinematography by     Carl Hansen
directed by     Carl Hansen


“Motorcycle”
by Liminal
(London, England)


passenger     Jake Maskall
rider     Joel Beckett

directed by     Jan Ostrowski and
    James Dean


“Tourists”
by Time Travel
(Mumbai, India)


subject     Puja Roy
photographer     Krishna Kaul

sound recordist     Shivlal Yadav
cinematography by     Kavin Jagtiani
edited by     Rahat Mahajan
directed by     Supriti Malhotra


“Fridge”
by Team HiHo!
(Louisville, Kentucky)


talker     Chris Saunders
listener     Steve Dalton

directed by     Brennan Clark


“The Sandwich Speaks”
by CinemaSolo
(New York, New York)


salad chef     Bill Dyszel
voice of the sandwich     Bill Dyszel

sandwich puppeteer     Bill Dyszel
cinematography by     Bill Dyszel
directed by     Bill Dyszel


“The Eiffel Tower”
by Le Petit Studio
(the team formerly known as Artnum)
(Paris, France)


woman     Aurélie Laza
man     Patrice Martre

audio engineer     Camille François
cinematography by     Thomas Grinsell
produced by     Olivier Dussausse
directed by     Thomas Grinsell


“Checkpoint”
by Amoraim Films
(Tel Aviv, Israel)


traveler     Ruth Farhi
guard     Yosi Segal

cinematography by     Rotem Yaron
directed by     Avi Weissblei


“Day Care”
by Exempt from Consideration
(Boston, Massachusetts)


babysitter 1     Lily Harris
babysitter 2     Max Harris
babies     David J. Beck, Leo Fash
    and Zoe Fife

set decorator     Caitlin Berrigan
bounce operator     Caitlin Berrigan
cinematography by     Brad Kelly
directed by     Ben Guaraldi


“Stove Repair”
by Exempt from Consideration
(Boston, Massachusetts)


housewife     Callie Snow
stove mechanic     Ben Guaraldi

set decorator     Rebecca Uchill
boom operator     Ned Scannell
cinematography by     Brad Kelly
directed by     Ben Guaraldi


“Cuddling Lion Cubs”
by Senepe Studios
(Johannesburg, South Africa)


lion cuddler 1     Boitumelu Langa
voice of lion cuddler 1     Jason Jordan
lion cuddler 2     Louise Coetzer

adr engineer     Joseph Fusco
cinematography by     Jacques Roos
directed by     Graham Coetzer
produced by     Jacques Roos


“The National Mall”
by Integral Arts
(Washington, DC)


talker     Heather Whitpan
whisperer     Kristin Rogers
listener     Sophia Medley

directed by     Kevin Good and
    Barry Gribble


“The West”
by Last Minute Movie Makers
(Dallas, Texas)


grieving cowboy     Sam Schweikert
moribund cowboy     John Redlinger

special effects     Naeem Munaf
sound     John Redlinger and
    Naeem Munaf
cinematography by     Naeem Munaf and
    Sam Schweikert
directed by     John Redlinger


“The Temple”
by Pretzel Plan
(Seoul, South Korea)


talker     Kwon Young Min
listener     Seo Choon Kuk

cinematography by     Choi Young Chel
directed by     William Jin


“A Knight and a Dragon”
by o-studios.net
(Boston, Massachusetts)


knight     Doug Fitzgerald
voice of the dragon     Ben Guaraldi

bounce operator     Stephen P. Lee
knight costumer     Matt Martino
adr engineer     Jason Jordan
cinematography by     Brad Kelly
dragon created and animated by     Dave O’Gara


“The Moon”
by Team Last to Enter
(Des Moines, Iowa)


astronaut 1     Elizabeth Feldman
voice of astronaut 1     Wendy Parker
astronaut 2     Rob Murdock
voice of astronaut 2     Joseph Fusco

quindar tones     Ben Scripps
moon photography     NASA
adr engineer     Jason Jordan
costume designer     Todd Niccum
produced by     Todd Niccum
directed by     John Hansen


“Killing Zombies”
by Vegan Cannibals
(Los Angeles, California)


zombie spotter     Leia Hurst
voice of zombie spotter     Wendy Parker
zombie shooter     Kendi Tolentino
zombies     Ryan Alemania, J. Marcus Anderson,
    Niko Carmona, Goldie Chan,
    Chadney Delaney, Christina Hazouri,
    Morrison Healey, Nicole Lemme,
    Trevor Lincoln, Brittany Rodriguez,
    Haley Rubin, Charlie Skidmore,
    Artin Tarverdian, Erika Techner,
    Luke Tostado, Jeffrey Tuason,
    Arlette Cremer Wong and
    Michelle Wright

makeup     Yoni Baker, Greg Rosas Goss,
    Stuart Isaac Hirsch, Philip Stimmell
    and Manifa Tamrazians
boom     Dom Zook
grip     Jeffrey Leonard
adr engineer     Jason Jordan
visual effects     Scott Baker
cinematography by     Adrian Rodriguez
directed by     Scott Baker


“Milk”
by i CITY
(Ulaanbaatar, Mongolia)


herder     Yalalt.N
milker     Khaliun.S

boom operator     Otgonbat Natsagdorj
camera operator     Baatar.B
editor     Battumur Badrakh
directed by     Khoroldorj Choijoovanchig


“Surgery II”
by Senepe Studios
(Johannesburg, South Africa)


assistant     Johann Duvenage
doctor     Ockert van Rooyen
patient     Mark Tennant

effects     Toni van Oostenrijk
makeup     Luarnae Roos
cinematography by     Jacques Roos
directed by     Graham Coetzer
produced by     Jacques Roos


“A Woman and an Orb”
by Integral Arts
(Washington, DC)


woman     Candice Bloch
voice of the orb     Kevin Good

assistant camera     Chris Alvanas
3d environment     Paul Good
special effects     Kevin Good
directed by     Kevin Good and
    Barry Gribble


“The Bomb”
by Dog Day Productions
(Cincinnati, Ohio)


bomb remover     Nick Rose
hostage     Eric Vosmeier

sound and grip     Jamie Banks
production assistant     Rick Wolf
cinematography by     Michael Maney
produced by     Ryan Lewis
directed by     Ryan Lewis and
    Michael Maney


“In the Theater”
by We’re Making a Movie
(Boston, Massachusetts)


popcorn recipient     Lisa Cordner
popcorn purchaser     Lori Salmeri
voice of the dragon     Ben Guaraldi
audience     Peter Cancilla, Katie Hazard,
    Stephen P. Lee, Maya Lenihan,
    Margaret Maxwell, Mary Patterson,
    Joed Polly and Julia Wagner

dragon created and animated by     Dave O’Gara
production assistant     Jacob Lipcon
second camera     Meghan Frederico
cinematography by     Brad Kelly
directed by     Michelle Barbera


thanks to

Accord Equipments
Ajit Ahuja
Michelle Barbera
Bazaragchaa.D
Brett Benge
David DiMaria
Audubon Dougherty
Lydia Fash
Erin Fife
Joseph Fusco
Eve Harris
Jason Jordan
Brad Kelly
Jacob Lipcon
Rahat Mahajan
Rusi Master
Naeem Munaf
Dave O’Gara
Wendy Parker
Derek Peplau
Ned Scannell
Adrian and Catherine Stuart
Tejas
Garrett Vang


special thanks to

Liz Langston
Christina Ruppert
Mark Ruppert

The Credits


Quaker 1
Quaker 2
Quaker 3
Quaker 4
George Fox
    JM Moss
Michelle Brimage
Adam Kohrman
Linden Jenkins
Ammon Embry-Pelrine
Other Quakers Kieran Brackbill
Oliver Burke
Sara Burke
Madeleine Collins
Jeremiah Dickinson
Eric V. Fields
Doug Fitzgerald
John Fuller
Mary Gilbert
Isaiah Grace
Lisa Graustein
Xander Graustein
Ben Guaraldi
Rachel Guaraldi
Clementine Hess
Callie Jennings
Monster Johnson
Leanna Kantt
M. Elaine Mar
Frederick Martin
Emily Neumann
Mary Patterson
Redfox #2
Ned Scannell
Helen Staab
Ellen Stoolmacher
Honor Woodrow
Jailers Brook Boardman
JM Moss

concept by Lisa Graustein
midwifery by Callie Jennings
Honor Woodrow
music by Ylvis/Stargate
vocals by Callie Jennings
bird sound by freesound.org
choreography by Clementine Hess
catering by Rachel Guaraldi
puppetry by Peter Cancilla
production assistance by Clark Reddy
cinematography by Rocky Malin
produced, written,
edited and directed by

Ben Guaraldi

thanks to
Framingham Friends Meeting
Beth Collea
Boston Costume
Framingham Fire Department
Michael Glashow and Krissy Skare
Nia Thomas
Homer’s Cause
The Middlesex Fells Reservation
John Selig
Jean Schnell
voters who chose which Fox quotes to include
Wellesley Friends Meeting
Ylvis
and George Fox

What Did George Fox Really Say?


George Fox was a real person who lived from 1624-1691 and was one of the main figures in the founding of the Quaker movement. The Wikipedia page on him is great—check it out.

While the film attempts to be true to his insights and theology, not all of the quotations are verbatim. Some were edited to modernize the language; some were edited to for length. For the scholars out there, below are the full quotations in some context, with links to the source material. I invite you to read Fox's Journal and letters and the writings of other Friends.

"I saw, also, that there was an ocean of darkness and death; but an infinite ocean of light and love, which flowed over the ocean of darkness. In that also I saw the infinite love of God, and I had great openings."
Journal of George Fox, Chapter 1

"Be patterns, be examples in all countries, places, islands, nations, wherever you go, so that your carriage and life may preach among all sorts of people, and to them. Then you will come to walk cheerfully over the world, answering that of God in every one. Thereby you can be a blessing in them and make the witness of God in them bless you. Then you will be a sweet savor and a blessing to the Lord God."
To Friends in the Ministry

"Be still and cool in your own mind and spirit from your own thoughts, and then you will feel the principle of God to turn your mind to the Lord God, from whom life comes; whereby you may receive his strength and power to allay all blusterings, storms, and tempests."
Letter written in 1658

"But as I had forsaken the priests, so I left the separate preachers also, and those esteemed the most experienced people; for I saw there was none among them all that could speak to my condition. When all my hopes in them and in all men were gone, so that I had nothing outwardly to help me, nor could I tell what to do, then, oh, then, I heard a voice which said, "There is one, even Christ Jesus, that can speak to thy condition"; and when I heard it, my heart did leap for joy."
Journal of George Fox, Chapter 1

"At another time it was opened in me that God, who made the world, did not dwell in temples made with hands. This at first seemed a strange word, because both priests and people used to call their temples, or churches, dreadful places, holy ground, and the temples of God. But the Lord showed me clearly that He did not dwell in these temples which men had commanded and set up, but in people's hearts; for both Stephen and the apostle Paul bore testimony that He did not dwell in temples made with hands, not even in that which He had once commanded to be built, since He put an end to it; but that His people were His temple, and He dwelt in them."
Journal of George Fox, Chapter 1

"Christ says this, and the Apostles say this but what can thou say? Are thou a child of Light, and have walked in the Light, and that thou speaks, is it inwardly from God?"
— Margaret Fell (Fox), quoting George Fox, in her testimony after his death

"(silence)"
— It was common practice in early Friends meetings, as with some Friends today, to wait in silence until moved by the Spirit.

"I was moved, also, to cry against all sorts of music, and against the mountebanks playing tricks on their stages; for they burthened the pure life, and stirred up people's minds to vanity."
Journal of George Fox, Chapter 2

(As you can see, George Fox probably would not have approved of popular music, music videos, or internet memes, even as a way of telling people about his realizations about God. Clearly I don't agree with him on this one.)

Quaker Resources


Interested in learning more about the Quaker way? I'd recommend going to Quaker worship and meeting some real-life Quakers. Everyone is always welcome at a Quaker Meeting. Find a Quaker Meeting near you.

If you'd like to read more about us before diving in, here are some brief notes and links to further information.

The formal name for Quakers is the Religious Society of Friends. "Quaker" and "Friend" (with a capital F) are synonymous.

We don't have a set creed—there's a joke that if you ask five Quakers a theological question, you'll get ten answers. Many Friends have conservative Christian theologies, some Friends don't believe that there is anything supernatural at all, and a lot of Friends (including me) are somewhere in between.

For the past 70 years, some groups of Friends have discussed testimonies, which are outward ethical expressions of the following of our spiritual path. Depending on who you ask, there are four, five, or six testimonies. The testimonies shown in "Quaker Off" are simplicity, peace, integrity, community, and equality, which have the handy acronym SPICE.

Most meetings on the coasts of the United States and in Europe and some meetings elsewhere have worked hard to be welcoming to queer and trans folk. If you're queer or trans and looking for a church, we might be a good fit.

Quaker Meetings can look pretty different from each other, but one common form is "waiting worship," which is portrayed in "What Does George Fox Say" and "Quaker Off"—basically, there is no priest or pastor or order of service; rather, Friends wait in silence for the Spirit to give us messages. These messages might be for just one person or they might be for saying to the whole meeting. Anyone might be called to give a message—even someone who has never been to worship before.

Read more at:

Find a Quaker Meeting


Quakers are all over the place!

If you're in the United States or Canada, check out FGC's Quaker Finder and FWCC's map of Quaker Meetings. (It's probably a good idea to look at both—there might be meetings listed on one but not the other.)

If you're in Britain, check out Britain Yearly Meeting's Find a Meeting page.

Over half of the Quaker Meetings in the world are not in the Britain, Canada, or the United States. Friends World Committee for Consultation keeps a directory of them. And if you cannot find Quaker worship near you, contact their offices—they're very friendly and can also tell you about other ways to be involved with the Quaker movement.

The Credits


Quakers     Katherine Eckenfels
Sarah Bickel
Brook Boardman
Kieran Brackbill
Michelle Brimage
Mary Alice Burke
David Coletta
Lucy Coletta
Mary Crauderueff
Jeremiah Dickinson
Ammon Embry-Pelrine
Jonah Erikson
Eric V. Fields
Elizabeth Firestone
Katherine Fisher
Isaiah Grace
Ben Guaraldi
Rachel Guaraldi
Clementine Jennings-Hess
Will Jennings-Hess
Adam Kohrman
Elaine Mar
Quinn McCarthy Beaver
Regina McCarthy
Brendan McKenna
Jeanne McKnight
Stephen McKnight
JM Moss
Emily Neumann
Alana Parkes
Alysia Parkes
Rosalee Parkes
Gordon Peters
Clark Reddy
Jack Ross
Wendyl Ross
Alma Sanchez-Eppler
Martha Schwope
Ellen Stoolmacher
Emily Taber
Carl Telenar-Parkes
Kaj Telenar
Sue Webb
music by Swift, Martin and Shellback
vocals by Rachel Guaraldi
bird sound by Thomas Walter
choreography by Clementine Jennings-Hess
catering by Rachel Guaraldi
cinematography by Brook Boardman
Rachel Guaraldi
Ben Guaraldi
produced, written,
edited and directed by

Ben Guaraldi

thanks to
Wellesley Friends Meeting
Beth Carron
Sara Chase
Beth Collea
Jeremiah Dickinson
Framingham Friends Meeting
Jim Grace
Lisa Graustein
Rachel Guaraldi
Clementine Jennings-Hess
Will Jennings-Hess
Noah Merrill
Wendyl Ross
Taylor Swift
Morgan Wilson
Ylvis
and Margaret Fell

Racial Justice Resources


"Quaker Off" ends with this message:

We reject the racial stereotypes, objectification of women of color, and cultural appropriation in Swift’s Shake It Off video.

We ask our viewers to look at how seemingly innocent music videos are connected to wider systems of racism, because Black Lives Matter.

We love the song Shake It Off and Taylor Swift. Well, at least most of us do. Ask 5 Quakers their opinion on a pop music artist and you could get 10 answers.

However, the video for Shake It Off contains disturbing messages about race as well as objectification of people of color.

For further reading, check out:
- Jenn M. Jackson's piece on how the Shake It Off video represents white women and black women differently
- Mikael Chuks Owunna's piece on how Swift is appropriating black culture and blackness to draw attention to herself and her music
- Celeste Montaño's piece on Swift's lens of white privelege

Mark Romanek, the director of the Shake It Off video, claimed that the video is color-blind and implies that it is therefore not racist. That may have been his and Swift's intention, but color-blind art is still racist, as Monnica T. Williams' article in Psychology Today explains.

The racial messages in the Shake It Off video are offensive, but the timing of its release was insensitive as well, given the anti-racism organizing that has gained momentum since Michael Brown was murdered by a police officer in Ferguson, Missouri. For more resources on what's happening in Ferguson and around the movement to stop racism in the United States, please head over to Black Lives Matter.

Quakers' work on racial justice started in the 1600s and continues today. For some Quaker racial justice resources, check out:
- Greg Elliott's description of racial justice activities in the Quaker world today
- Vanessa Julye's article about her journey as a Friend of color
- American Friends Service Committee's South Organizing Against Racism program
- other racial justice resources from AFSC
- Atlanta Friend's Meeting's journey to become less racist and more anti-racist

Quakers have a reputation for working on racial justice in the past, but Quaker history with this particular issue has been mixed indeed. Fit for Freedom, Not for Friendship by Donna McDaniel and Vanessa Julye goes into further detail on Quakers and racial justice through history.

Quaker Resources


Interested in learning more about the Quaker way? I'd recommend going to Quaker worship and meeting some real-life Quakers. Everyone is always welcome at a Quaker Meeting. Find a Quaker Meeting near you.

If you'd like to read more about us before diving in, here are some brief notes and links to further information.

The formal name for Quakers is the Religious Society of Friends. "Quaker" and "Friend" (with a capital F) are synonymous.

We don't have a set creed—there's a joke that if you ask five Quakers a theological question, you'll get ten answers. Many Friends have conservative Christian theologies, some Friends don't believe that there is anything supernatural at all, and a lot of Friends (including me) are somewhere in between.

For the past 70 years, some groups of Friends have discussed testimonies, which are outward ethical expressions of the following of our spiritual path. Depending on who you ask, there are four, five, or six testimonies. The testimonies shown in "Quaker Off" are simplicity, peace, integrity, community, and equality, which have the handy acronym SPICE.

Most meetings on the coasts of the United States and in Europe and some meetings elsewhere have worked hard to be welcoming to queer and trans folk. If you're queer or trans and looking for a church, we might be a good fit.

Quaker Meetings can look pretty different from each other, but one common form is "waiting worship," which is portrayed in "What Does George Fox Say" and "Quaker Off"—basically, there is no priest or pastor or order of service; rather, Friends wait in silence for the Spirit to give us messages. These messages might be for just one person or they might be for saying to the whole meeting. Anyone might be called to give a message—even someone who has never been to worship before.

Read more at:

Find a Quaker Meeting


Quakers are all over the place!

If you're in the United States or Canada, check out FGC's Quaker Finder and FWCC's map of Quaker Meetings. (It's probably a good idea to look at both—there might be meetings listed on one but not the other.)

If you're in Britain, check out Britain Yearly Meeting's Find a Meeting page.

Over half of the Quaker Meetings in the world are not in the Britain, Canada, or the United States. Friends World Committee for Consultation keeps a directory of them. And if you cannot find Quaker worship near you, contact their offices—they're very friendly and can also tell you about other ways to be involved with the Quaker movement.