Since making my first film in 1997, I have created a modest output of video art of various forms, including fiction and non-fiction, live action and animated, comedy and drama, fast and slow, alone and with others.
Here you can find a smattering of my work. It's currently divided into four categories:
- Movies related to DHIS2 (mostly for April Fools)
- Movies made for the timed filmmaking competition the Four Points Film Project (formerly known as the National Film Challenge)
- Two of my student films
- And my favorite category: miscellaneous
If you scroll down, you'll see some more details about some of the films.
Enjoy!
“What’s the 48?”
a film about the 48 Hour Film Project | ||
concept by | We’re Making a Movie | |
written by |
We’re Making a Movie
and Ben Guaraldi | |
additional dialogue recording | Jason Jordan | |
color correction | Meghan Frederico | |
music created by | Brett Benge | |
produced, edited, and directed by |
Ben Guaraldi
| |
“Popcorn”
by We’re Making a Movie (Boston, Massachusetts) | ||
popcorn maker | Lewis Savarese | |
popcorn purchaser | Lori Salmeri | |
popcorn recipient |
Lisa Cordner
| |
production assistant | Jacob Lipcon | |
camera assistant | Meghan Frederico | |
cinematography by | Brad Kelly | |
directed by |
Michelle Barbera
| |
“Jogging”
by Exempt from Consideration (Boston, Massachusetts) | ||
jogger 1 | Sharon Kubo | |
jogger 2 |
Morgan Mosher
| |
boom operator | Stephen P. Lee | |
bounce operator | Wendy Parker | |
driver | Rebecca Uchill | |
cinematography by | Brad Kelly | |
directed by |
Ben Guaraldi
| |
“Surgery”
by Tex Whitney Productions (Sydney, Australia) | ||
assistant surgeon | Nicholas Kehagais | |
lead surgeon | Dan Balcaban | |
scrubs nurse | Derestia Hasan | |
anaesthetist | Rebecca Kennedy | |
patient |
Alex Hasan
| |
costumer | Rebecca Kennedy | |
medical consultant | Rebecca Kennedy | |
sound recordist | Jared Ryan | |
cinematography by | Tex Whitney | |
directed by |
Tex Whitney
| |
“In Bed”
by Afafas (Buenos Aires, Argentina) | ||
woman | Mara Meter | |
man |
Rodrigo Tagle
| |
directed by |
Diego Enriquez
| |
“Self-Promotion”
by Cultural Detritus (Los Angeles, California) | ||
restless actor | Matt Cary | |
restful actor |
Jason Waron
| |
production assistant | Jen Eldridge | |
audio and camera assistant | Brian Maillard | |
cinematography by | Carl Hansen | |
directed by |
Carl Hansen
| |
“Motorcycle”
by Liminal (London, England) | ||
passenger | Jake Maskall | |
rider |
Joel Beckett
| |
directed by | Jan Ostrowski and | |
James Dean
| ||
“Tourists”
by Time Travel (Mumbai, India) | ||
subject | Puja Roy | |
photographer |
Krishna Kaul
| |
sound recordist | Shivlal Yadav | |
cinematography by | Kavin Jagtiani | |
edited by | Rahat Mahajan | |
directed by |
Supriti Malhotra
| |
“Fridge”
by Team HiHo! (Louisville, Kentucky) | ||
talker | Chris Saunders | |
listener |
Steve Dalton
| |
directed by |
Brennan Clark
| |
“The Sandwich Speaks”
by CinemaSolo (New York, New York) | ||
salad chef | Bill Dyszel | |
voice of the sandwich |
Bill Dyszel
| |
sandwich puppeteer | Bill Dyszel | |
cinematography by | Bill Dyszel | |
directed by |
Bill Dyszel
| |
“The Eiffel Tower”
by Le Petit Studio (the team formerly known as Artnum) (Paris, France) | ||
woman | Aurélie Laza | |
man |
Patrice Martre
| |
audio engineer | Camille François | |
cinematography by | Thomas Grinsell | |
produced by | Olivier Dussausse | |
directed by |
Thomas Grinsell
| |
“Checkpoint”
by Amoraim Films (Tel Aviv, Israel) | ||
traveler | Ruth Farhi | |
guard |
Yosi Segal
| |
cinematography by | Rotem Yaron | |
directed by |
Avi Weissblei
| |
“Day Care”
by Exempt from Consideration (Boston, Massachusetts) | ||
babysitter 1 | Lily Harris | |
babysitter 2 | Max Harris | |
babies | David J. Beck, Leo Fash | |
and Zoe Fife
| ||
set decorator | Caitlin Berrigan | |
bounce operator | Caitlin Berrigan | |
cinematography by | Brad Kelly | |
directed by |
Ben Guaraldi
| |
“Stove Repair”
by Exempt from Consideration (Boston, Massachusetts) | ||
housewife | Callie Snow | |
stove mechanic |
Ben Guaraldi
| |
set decorator | Rebecca Uchill | |
boom operator | Ned Scannell | |
cinematography by | Brad Kelly | |
directed by |
Ben Guaraldi
| |
“Cuddling Lion Cubs”
by Senepe Studios (Johannesburg, South Africa) | ||
lion cuddler 1 | Boitumelu Langa | |
voice of lion cuddler 1 | Jason Jordan | |
lion cuddler 2 |
Louise Coetzer
| |
adr engineer | Joseph Fusco | |
cinematography by | Jacques Roos | |
directed by | Graham Coetzer | |
produced by |
Jacques Roos
| |
“The National Mall”
by Integral Arts (Washington, DC) | ||
talker | Heather Whitpan | |
whisperer | Kristin Rogers | |
listener |
Sophia Medley
| |
directed by | Kevin Good and | |
Barry Gribble
| ||
“The West”
by Last Minute Movie Makers (Dallas, Texas) | ||
grieving cowboy | Sam Schweikert | |
moribund cowboy |
John Redlinger
| |
special effects | Naeem Munaf | |
sound | John Redlinger and | |
Naeem Munaf | ||
cinematography by | Naeem Munaf and | |
Sam Schweikert | ||
directed by |
John Redlinger
| |
“The Temple”
by Pretzel Plan (Seoul, South Korea) | ||
talker | Kwon Young Min | |
listener |
Seo Choon Kuk
| |
cinematography by | Choi Young Chel | |
directed by |
William Jin
| |
“A Knight and a Dragon”
by o-studios.net (Boston, Massachusetts) | ||
knight | Doug Fitzgerald | |
voice of the dragon |
Ben Guaraldi
| |
bounce operator | Stephen P. Lee | |
knight costumer | Matt Martino | |
adr engineer | Jason Jordan | |
cinematography by | Brad Kelly | |
dragon created and animated by |
Dave O’Gara
| |
“The Moon”
by Team Last to Enter (Des Moines, Iowa) | ||
astronaut 1 | Elizabeth Feldman | |
voice of astronaut 1 | Wendy Parker | |
astronaut 2 | Rob Murdock | |
voice of astronaut 2 |
Joseph Fusco
| |
quindar tones | Ben Scripps | |
moon photography | NASA | |
adr engineer | Jason Jordan | |
costume designer | Todd Niccum | |
produced by | Todd Niccum | |
directed by |
John Hansen
| |
“Killing Zombies”
by Vegan Cannibals (Los Angeles, California) | ||
zombie spotter | Leia Hurst | |
voice of zombie spotter | Wendy Parker | |
zombie shooter | Kendi Tolentino | |
zombies | Ryan Alemania, J. Marcus Anderson, | |
Niko Carmona, Goldie Chan, | ||
Chadney Delaney, Christina Hazouri, | ||
Morrison Healey, Nicole Lemme, | ||
Trevor Lincoln, Brittany Rodriguez, | ||
Haley Rubin, Charlie Skidmore, | ||
Artin Tarverdian, Erika Techner, | ||
Luke Tostado, Jeffrey Tuason, | ||
Arlette Cremer Wong and | ||
Michelle Wright
| ||
makeup | Yoni Baker, Greg Rosas Goss, | |
Stuart Isaac Hirsch, Philip Stimmell | ||
and Manifa Tamrazians | ||
boom | Dom Zook | |
grip | Jeffrey Leonard | |
adr engineer | Jason Jordan | |
visual effects | Scott Baker | |
cinematography by | Adrian Rodriguez | |
directed by |
Scott Baker
| |
“Milk”
by i CITY (Ulaanbaatar, Mongolia) | ||
herder | Yalalt.N | |
milker |
Khaliun.S
| |
boom operator | Otgonbat Natsagdorj | |
camera operator | Baatar.B | |
editor | Battumur Badrakh | |
directed by |
Khoroldorj Choijoovanchig
| |
“Surgery II”
by Senepe Studios (Johannesburg, South Africa) | ||
assistant | Johann Duvenage | |
doctor | Ockert van Rooyen | |
patient |
Mark Tennant
| |
effects | Toni van Oostenrijk | |
makeup | Luarnae Roos | |
cinematography by | Jacques Roos | |
directed by | Graham Coetzer | |
produced by |
Jacques Roos
| |
“A Woman and an Orb”
by Integral Arts (Washington, DC) | ||
woman | Candice Bloch | |
voice of the orb |
Kevin Good
| |
assistant camera | Chris Alvanas | |
3d environment | Paul Good | |
special effects | Kevin Good | |
directed by | Kevin Good and | |
Barry Gribble
| ||
“The Bomb”
by Dog Day Productions (Cincinnati, Ohio) | ||
bomb remover | Nick Rose | |
hostage |
Eric Vosmeier
| |
sound and grip | Jamie Banks | |
production assistant | Rick Wolf | |
cinematography by | Michael Maney | |
produced by | Ryan Lewis | |
directed by | Ryan Lewis and | |
Michael Maney
| ||
“In the Theater”
by We’re Making a Movie (Boston, Massachusetts) | ||
popcorn recipient | Lisa Cordner | |
popcorn purchaser | Lori Salmeri | |
voice of the dragon | Ben Guaraldi | |
audience | Peter Cancilla, Katie Hazard, | |
Stephen P. Lee, Maya Lenihan, | ||
Margaret Maxwell, Mary Patterson, | ||
Joed Polly and Julia Wagner
| ||
dragon created and animated by | Dave O’Gara | |
production assistant | Jacob Lipcon | |
second camera | Meghan Frederico | |
cinematography by | Brad Kelly | |
directed by |
Michelle Barbera
| |
thanks to
Accord Equipments Ajit Ahuja Michelle Barbera Bazaragchaa.D Brett Benge David DiMaria Audubon Dougherty Lydia Fash Erin Fife Joseph Fusco Eve Harris Jason Jordan Brad Kelly Jacob Lipcon Rahat Mahajan Rusi Master Naeem Munaf Dave O’Gara Wendy Parker Derek Peplau Ned Scannell Adrian and Catherine Stuart Tejas Garrett Vang special thanks to Liz Langston Christina Ruppert Mark Ruppert |
Quaker 1 Quaker 2 Quaker 3 Quaker 4 George Fox |
JM Moss Michelle Brimage Adam Kohrman Linden Jenkins Ammon Embry-Pelrine | |
Other Quakers |
Kieran Brackbill Oliver Burke Sara Burke Madeleine Collins Jeremiah Dickinson Eric V. Fields Doug Fitzgerald John Fuller Mary Gilbert Isaiah Grace Lisa Graustein Xander Graustein Ben Guaraldi Rachel Guaraldi Clementine Hess Callie Jennings Monster Johnson Leanna Kantt M. Elaine Mar Frederick Martin Emily Neumann Mary Patterson Redfox #2 Ned Scannell Helen Staab Ellen Stoolmacher Honor Woodrow | |
Jailers |
Brook Boardman JM Moss | |
| ||
concept by | Lisa Graustein | |
midwifery by |
Callie Jennings Honor Woodrow | |
music by | Ylvis/Stargate | |
vocals by | Callie Jennings | |
bird sound by | freesound.org | |
choreography by | Clementine Hess | |
catering by | Rachel Guaraldi | |
puppetry by | Peter Cancilla | |
production assistance by | Clark Reddy | |
cinematography by | Rocky Malin | |
produced, written, edited and directed by |
Ben Guaraldi | |
thanks to Framingham Friends Meeting Beth Collea Boston Costume Framingham Fire Department Michael Glashow and Krissy Skare Nia Thomas Homer’s Cause The Middlesex Fells Reservation John Selig Jean Schnell voters who chose which Fox quotes to include Wellesley Friends Meeting Ylvis and George Fox |
George Fox was a real person who lived from 1624-1691 and was one of the main figures in the founding of the Quaker movement. The Wikipedia page on him is great—check it out.
While the film attempts to be true to his insights and theology, not all of the quotations are verbatim. Some were edited to modernize the language; some were edited to for length. For the scholars out there, below are the full quotations in some context, with links to the source material. I invite you to read Fox's Journal and letters and the writings of other Friends.
"I saw, also, that there was an ocean of darkness and death; but an
infinite ocean of light and love, which flowed over the ocean of
darkness. In that also I saw the infinite love of God, and I had great
openings."
— Journal of George Fox, Chapter 1
"Be patterns, be examples in all countries, places, islands, nations, wherever you go, so that your carriage and life may preach among all sorts of people, and to them. Then you will come to walk cheerfully over the world, answering that of God in every one. Thereby you can be a blessing in them and make the witness of God in them bless you. Then you will be a sweet savor and a blessing to the Lord God."
— To Friends in the Ministry
"Be still and cool in your own mind and spirit from your own thoughts, and then you will feel the principle of God to turn your mind to the Lord God, from whom life comes; whereby you may receive his strength and power to allay all blusterings, storms, and tempests."
— Letter written in 1658
"But as I had forsaken the priests, so I left the separate preachers
also, and those esteemed the most experienced people; for I saw there
was none among them all that could speak to my condition. When all my
hopes in them and in all men were gone, so that I had nothing outwardly
to help me, nor could I tell what to do, then, oh, then, I heard a
voice which said, "There is one, even Christ Jesus, that can speak to
thy condition"; and when I heard it, my heart did leap for joy."
— Journal of George Fox, Chapter 1
"At another time it was opened in me that God, who made the world, did
not dwell in temples made with hands. This at first seemed a strange
word, because both priests and people used to call their temples, or
churches, dreadful places, holy ground, and the temples of God. But the
Lord showed me clearly that He did not dwell in these temples which men
had commanded and set up, but in people's hearts; for both Stephen and
the apostle Paul bore testimony that He did not dwell in temples made
with hands, not even in that which He had once commanded to be built,
since He put an end to it; but that His people were His temple, and He
dwelt in them."
— Journal of George Fox, Chapter 1
"Christ says this, and the Apostles say this but what can thou say? Are thou a child of Light, and have walked in the Light, and that thou speaks, is it inwardly from God?"
— Margaret Fell (Fox), quoting George Fox, in her testimony after his death
"(silence)"
— It was common practice in early Friends meetings, as with some Friends today, to wait in silence until moved by the Spirit.
"I was moved, also, to cry against all sorts of music, and against the
mountebanks playing tricks on their stages; for they burthened the pure
life, and stirred up people's minds to vanity."
— Journal of George Fox, Chapter 2
(As you can see, George Fox probably would not have approved of popular music, music videos, or internet memes, even as a way of telling people about his realizations about God. Clearly I don't agree with him on this one.)
Interested in learning more about the Quaker way? I'd recommend going to Quaker worship and meeting some real-life Quakers. Everyone is always welcome at a Quaker Meeting. Find a Quaker Meeting near you.
If you'd like to read more about us before diving in, here are some brief notes and links to further information.
The formal name for Quakers is the Religious Society of Friends. "Quaker" and "Friend" (with a capital F) are synonymous.
We don't have a set creed—there's a joke that if you ask five Quakers a theological question, you'll get ten answers. Many Friends have conservative Christian theologies, some Friends don't believe that there is anything supernatural at all, and a lot of Friends (including me) are somewhere in between.
For the past 70 years, some groups of Friends have discussed testimonies, which are outward ethical expressions of the following of our spiritual path. Depending on who you ask, there are four, five, or six testimonies. The testimonies shown in "Quaker Off" are simplicity, peace, integrity, community, and equality, which have the handy acronym SPICE.
Most meetings on the coasts of the United States and in Europe and some meetings elsewhere have worked hard to be welcoming to queer and trans folk. If you're queer or trans and looking for a church, we might be a good fit.
Quaker Meetings can look pretty different from each other, but one common form is "waiting worship," which is portrayed in "What Does George Fox Say" and "Quaker Off"—basically, there is no priest or pastor or order of service; rather, Friends wait in silence for the Spirit to give us messages. These messages might be for just one person or they might be for saying to the whole meeting. Anyone might be called to give a message—even someone who has never been to worship before.
Read more at:
Quakers are all over the place!
If you're in the United States or Canada, check out FGC's Quaker Finder and FWCC's map of Quaker Meetings. (It's probably a good idea to look at both—there might be meetings listed on one but not the other.)
If you're in Britain, check out Britain Yearly Meeting's Find a Meeting page.
Over half of the Quaker Meetings in the world are not in the Britain, Canada, or the United States. Friends World Committee for Consultation keeps a directory of them. And if you cannot find Quaker worship near you, contact their offices—they're very friendly and can also tell you about other ways to be involved with the Quaker movement.
Quakers |
Katherine Eckenfels Sarah Bickel Brook Boardman Kieran Brackbill Michelle Brimage Mary Alice Burke David Coletta Lucy Coletta Mary Crauderueff Jeremiah Dickinson Ammon Embry-Pelrine Jonah Erikson Eric V. Fields Elizabeth Firestone Katherine Fisher Isaiah Grace Ben Guaraldi Rachel Guaraldi Clementine Jennings-Hess Will Jennings-Hess Adam Kohrman Elaine Mar Quinn McCarthy Beaver Regina McCarthy Brendan McKenna Jeanne McKnight Stephen McKnight JM Moss Emily Neumann Alana Parkes Alysia Parkes Rosalee Parkes Gordon Peters Clark Reddy Jack Ross Wendyl Ross Alma Sanchez-Eppler Martha Schwope Ellen Stoolmacher Emily Taber Carl Telenar-Parkes Kaj Telenar Sue Webb | |
music by | Swift, Martin and Shellback | |
vocals by | Rachel Guaraldi | |
bird sound by | Thomas Walter | |
choreography by | Clementine Jennings-Hess | |
catering by | Rachel Guaraldi | |
cinematography by |
Brook Boardman Rachel Guaraldi Ben Guaraldi | |
produced, written, edited and directed by |
Ben Guaraldi | |
thanks to Wellesley Friends Meeting Beth Carron Sara Chase Beth Collea Jeremiah Dickinson Framingham Friends Meeting Jim Grace Lisa Graustein Rachel Guaraldi Clementine Jennings-Hess Will Jennings-Hess Noah Merrill Wendyl Ross Taylor Swift Morgan Wilson Ylvis and Margaret Fell |
"Quaker Off" ends with this message:
We reject the racial stereotypes, objectification of women of color, and cultural appropriation in Swift’s Shake It Off video.
We ask our viewers to look at how seemingly innocent music videos are connected to wider systems of racism, because Black Lives Matter.
We love the song Shake It Off and Taylor Swift. Well, at least most of us do. Ask 5 Quakers their opinion on a pop music artist and you could get 10 answers.
However, the video for Shake It Off contains disturbing messages about race as well as objectification of people of color.
For further reading, check out:
- Jenn M. Jackson's piece on how the Shake It Off video represents white women and black women differently
- Mikael Chuks Owunna's piece on how Swift is appropriating black culture and blackness to draw attention to herself and her music
- Celeste Montaño's piece on Swift's lens of white privelege
Mark Romanek, the director of the Shake It Off video, claimed that the video is color-blind and implies that it is therefore not racist. That may have been his and Swift's intention, but color-blind art is still racist, as Monnica T. Williams' article in Psychology Today explains.
The racial messages in the Shake It Off video are offensive, but the timing of its release was insensitive as well, given the anti-racism organizing that has gained momentum since Michael Brown was murdered by a police officer in Ferguson, Missouri. For more resources on what's happening in Ferguson and around the movement to stop racism in the United States, please head over to Black Lives Matter.
Quakers' work on racial justice started in the 1600s and continues today. For some Quaker racial justice resources, check out:
- Greg Elliott's description of racial justice activities in the Quaker world today
- Vanessa Julye's article about her journey as a Friend of color
- American Friends Service Committee's South Organizing Against Racism program
- other racial justice resources from AFSC
- Atlanta Friend's Meeting's journey to become less racist and more anti-racist
Quakers have a reputation for working on racial justice in the past, but Quaker history with this particular issue has been mixed indeed. Fit for Freedom, Not for Friendship by Donna McDaniel and Vanessa Julye goes into further detail on Quakers and racial justice through history.
Interested in learning more about the Quaker way? I'd recommend going to Quaker worship and meeting some real-life Quakers. Everyone is always welcome at a Quaker Meeting. Find a Quaker Meeting near you.
If you'd like to read more about us before diving in, here are some brief notes and links to further information.
The formal name for Quakers is the Religious Society of Friends. "Quaker" and "Friend" (with a capital F) are synonymous.
We don't have a set creed—there's a joke that if you ask five Quakers a theological question, you'll get ten answers. Many Friends have conservative Christian theologies, some Friends don't believe that there is anything supernatural at all, and a lot of Friends (including me) are somewhere in between.
For the past 70 years, some groups of Friends have discussed testimonies, which are outward ethical expressions of the following of our spiritual path. Depending on who you ask, there are four, five, or six testimonies. The testimonies shown in "Quaker Off" are simplicity, peace, integrity, community, and equality, which have the handy acronym SPICE.
Most meetings on the coasts of the United States and in Europe and some meetings elsewhere have worked hard to be welcoming to queer and trans folk. If you're queer or trans and looking for a church, we might be a good fit.
Quaker Meetings can look pretty different from each other, but one common form is "waiting worship," which is portrayed in "What Does George Fox Say" and "Quaker Off"—basically, there is no priest or pastor or order of service; rather, Friends wait in silence for the Spirit to give us messages. These messages might be for just one person or they might be for saying to the whole meeting. Anyone might be called to give a message—even someone who has never been to worship before.
Read more at:
Quakers are all over the place!
If you're in the United States or Canada, check out FGC's Quaker Finder and FWCC's map of Quaker Meetings. (It's probably a good idea to look at both—there might be meetings listed on one but not the other.)
If you're in Britain, check out Britain Yearly Meeting's Find a Meeting page.
Over half of the Quaker Meetings in the world are not in the Britain, Canada, or the United States. Friends World Committee for Consultation keeps a directory of them. And if you cannot find Quaker worship near you, contact their offices—they're very friendly and can also tell you about other ways to be involved with the Quaker movement.